Pentax MX SLR camera

Recently I’ve been reflecting on my history as an amateur photographer. I spent 1982-3 as a high school exchange student in Austria (for you German speakers, I really lived in a village called Großklein). Before I left, I decided that I wanted to buy myself a good camera. A friend had a Canon AE-1, which was the consumer-grade pinnacle of SLR technology at the time with shutter-priority auto-exposure. My dad, however, asked a professional photographer for camera buying advice, and he recommended a Pentax MX SLR camera. The only technology on the MX was a built-in light meter. As you manipulated shutter speed and aperture size, a row of LEDs along the bottom of the viewfinder indicated whether the light level was good (red – yellow – green – yellow – red).

Film photography had two big constraints that are unknown to digital photographers. The first is delayed gratification; you don’t get to see your photo until after the film is developed and printed–which was a matter of days at the very least (hence the eventual popularity of same-day photo processing). The other limitation was cost; there were three separate expenses related to film photography: the film itself, and the costs of developing the film and printing photos.

Candid portrait of my maternal grandmother taken with my Pentax MX, 1982

The constraints of film photography with an all-manual camera forced me to really learn the basics of photography–the interaction of film speed, aperture size and shutter speed–and to become a disciplined shooter in order to get the shot that I wanted. Taking multiple photos with different settings was prohibitively expensive;  there were essentially no do-overs; and post-processing was expensive and limited only to professional photography.

I’ve been taking photographs with a digital SLR for well over a decade now, and post-processing gets easier all the time. Yet I remain a mediocre and ambivalent post-processor of my photos. I reflected on this recently and realized that this attitude is due to my long history with film photography: I still consider getting the photo to be 90% of photography, whereas photographers who grew up on digital consider post-editing a much larger and more important part of the process.

Katie and Duncan, 1984

When I lived in Austria, I shot slide film mostly–it had better color and was somewhat cheaper since you didn’t get prints. All this reminds me that I still need to get my slides from that period scanned. I think I’ll work on that today.